I especially enjoy larger projects because they give me more room to develop a composition.
A realistic tattoo sleeve shouldn’t look like several unrelated pictures placed next to one another. I prefer when everything connects and the tattoo feels like one complete piece.
The same applies to back pieces and other large tattoos. You have to consider the body’s natural shape, how the main elements fit together, and how the composition looks from different angles.
One of the biggest projects I worked on was at the
Milan Tattoo Convention in 2016. I tattooed my client’s back, buttocks, and the backs of his thighs with a large black and grey composition.
Most of the work was completed in two days, with a little left for the third.
At that time, I was really interested in pushing myself to work faster and on a bigger scale. My priorities have changed since then. Today, I’m much more interested in getting the best possible result than finishing a project as quickly as I can.
That’s especially important with large realism tattoos. Good planning makes a big difference.